Experiment with different tempos and see how it sounds to you.
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Even if you don't have the registered version of the program, you can download the free TEF Viewer to listen to the piece.įirst off - go to Play > Relative Speed and set it for 62.
The file has individual pieces for the chords, lead and counterpoint as well as the. So, in crafting a look at the world of the natural minor, I went totally overboard and composed a three-part arrangement for mountain dulcimer ensemble called "A Minor Event." Tuning is CGC. These rules were made to be broken, of course, and there's more down the road about borrowed chords and note replacement, but generally speaking, when moving chords through a piece of music - the above standards for western music apply. Our ears are attracted by (and spirits moved by) certain types of musical conflict and a good road map for that is this charting of chord progressions: It's the push and pull of these elements that creates musical tension. Some lead to one another in a natural, expected way while others have a prickly sort of chemistry that seems forced and rough. You'll just encounter them in a different order like so:Ĭhords have an interesting relationship with each other. Which means that each of those notes retains its Major/minor/diminished quality. Now remember - the point at which we begin on the scale has changed, so the notes have not. When played in this order, the steps between notes become altered slightly, which gives minor chords and scales a darker, more somber tone. The order of notes has changed, yet it is still the same seven notes of the C Major scale. If you begin this scale on the sixth note and use all of the same notes as the Major scale, you get the relative minor scale (also known as the natural minor or Aeolian mode.) Since the sixth note of the C Major scale is "A", then this will be known as the A minor scale (note the lowercase "minor" - this is important.) Now, change the sequence and watch what happens.
It's because of this particular sequence of distances (or intervals) between notes that the Major scale has its up, happy and bright sound. The 7th note yields the mysterious-sounding diminished chords and scales. Because of the relationship between notes, scales/chords built from the 1st, 4th and 5th notes are Major scales/chords built from the 2nd, 3rd and 6th are minor. Quick recap - we number the seven notes of the Major scale, beginning with the root note or tonic, which is "C".Įach of the seven notes can be used to build a chord or a scale. As promised in the last post, we get to the dark side of things now. It's all the white keys of the piano, pure and uncomplicated. This book is published by Judy and Kirk House, and is made available here as an authorized, licensed download.The focus has been on the key of "C." It's the only one out of fifteen keys that has absolutely no sharps and no flats.
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The PDF file is in ZIP format - you'll need to unzip the file after your download is complete.Īfter you've extracted the files from your ZIP folder, you can print the sheet music, or enjoy it on your tablet or PC. With your purchase, we'll email you a link so that you may download the PDF version of your new book.
You're going to have a ton of fun with this book! Eleven tunes, each with three to seven parts. Ensemble arrangements from Kirk House and Judy House.